Palaeolithic rock and cave art in Central Europe?

Session 31 of the XIX International Rock Art Conference IFRAO 2015 "Symbols in the Landscape: Rock Art and its Context" held in Cáceres (Spain) from the 31st of August until the 4th of September 2015. Edited by Harald Floss and Andreas Pastoors. Zehn Aufsätze, je fünf in englischer und in französischer Sprache (alle mit deutschsprachigen Zusammenfassungen), bieten eine Vielfalt von Perspektiven auf paläolithische Felsbilder, die Probleme ihrer Datierung und die Methoden ihrer Erforschung. - These conference proceedings contain an introduction by the editors and ten papers. The contributions deal with rock art in the centre of the Paris Basin [Bénard], the Palaeolithic wall paintings in Grotte Agneux I cave, dépt. Saône-et-Loire, and a method for distinguishing prehistoric and modern images [Floss et al.], the cultural identity of Aurignacians at Grotte des Gorges cave, dépt. Jura [David et al.], Palaeolithic rock art in Germany by the example of slate engravings in the Hunsrück mountain range [Welker], engravings in the upper rock shelter at Abri Allerberg, Lower Saxony [Grote u. a.], the question of Palaeolithic rock art in the Swabian Jura [Floss et al.], a refutation of potential Palaeolithic rock art in Bavaria in the Mäanderhöhle cave in the Franconian Jura [Blumenröther et al.], prehistoric charcoal drawings in the caves of the Slovak and Czech Republics [Sefcáková et al.], first results of a rock art survey in the Central Balkans and an analysis of the graphic remains at Selačka 3 in Serbia [Ruiz-Redondo et al.], and the cave with Aurignacian decoration at Peştera Coliboaia, distr. Bihor, Romania [Gély et al.]. 189 Seiten mit 170 Textabb. und 6 Tafeln, Großformat, broschiert (Verlag Marie Leidorf 2018) leichte Lagerspuren/minor shelfwear

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